However, Elizabethan England was a place in which the live stage of theater was mass entertainment. Shakespeare was hardly the only working playwright in his day, nor was he the most prolific. He had plenty of competition.
All revenge tragedies originally stemmed from the Greeks, who wrote and performed the first plays. After the Greeks came Seneca who was very influential to all Elizabethan tragedy writers. Seneca who was Roman, basically set all of the ideas and the norms for all revenge play writers in the Renaissance era including William Shakespeare.
These two plays used mostly all of the Elizabethan conventions for revenge tragedies in their plays. Hamlet especially incorporated all revenge conventions in one way or another, which truly made Hamlet a typical revenge play. There were certain stylistic and different strategically thought out devices that Elizabethan playwrights including Shakespeare learned and used from Seneca's great tragedies.
The five act structure, the appearance of some kind of ghost, the one line exchanges known as stichomythia, and Seneca's use of long rhetorical speeches were all later used in tragedies by Elizabethan playwrights.
Some of Seneca's ideas were originally taken from the Greeks when the Romans conquered Greece, and with it they took home many Greek theatrical ideas. Some of Seneca's stories that originated from the Greeks like Agamemnon and Thyestes which dealt with bloody family histories and revenge captivated the Elizabethans.
Seneca's stories weren't really written for performance purposes, so if English playwrights liked his ideas, they had to figure out a way to make the story theatrically workable, relevant and exciting to the Elizabethan audience who were very demanding.
Seneca's influence formed part of a developing tradition of tragedies whose plots hinge on political power, forbidden sexuality, family honor and private revenge. Hamlet without Seneca is inconceivable. In all revenge tragedies first and foremost, a crime is committed and for various reasons laws and justice cannot punish the crime so the individual who is the main character, goes through with the revenge in spite of everything.
The main character then usually had a period of doubtwhere he tries to decide whether or not to go through with the revenge, which usually involves tough and complex planning. Other features that were typical were the appearance of a ghost, to get the revenger to go through with the deed.
The revenger also usually had a very close relationship with the audience through soliloquies and asides. The original crime that will eventually be avenged is nearly always sexual or violent or both. The crime has been committed against a family member of the revenger.
After the ghost persuades the revenger to commit his deed, a hesitation first occurs and then a delay by the avenger before killing the murderer, and his actual or acted out madness.
The revenge must be taken out by the revenger or his trusted accomplices. The revenger and his accomplices may also die at the moment of success or even during the course of revenge. It should not be assumed that revenge plays parallel the moral expectations of the Elizabethan audience.
Church, State and the regular morals of people in that age did not accept revenge, instead they thought that revenge would simply not under any circumstances be tolerated no matter what the original deed was.
People should therefore never think that revenge was expected by Elizabethan society. Although they loved to see it in plays, it was considered sinful and it was utterly condemned.
The Spanish Tragedy written by Thomas Kyd was an excellent example of a revenge tragedy. With this play, Elizabethan theater received its first great revenge tragedy, and because of the success of this play, the dramatic form had to be imitated.
The play was performed from to and it gave people an everlasting remembrance of the story of a father who avenges the murder of his son.The main objective of this course is to improve the student’s ability to analyze, interpret, and critique literature.
Further, students learn and perfect the skill of writing an interpretive essay. Sep 19, · The four bodily humors were part of Shakespearean cosmology, inherited from the ancient Greek philosophers Aristotle, Hippocrates, and Galen.
Organized around the four elements of earth, water, air, and fire; the four qualities of cold, hot, moist, and dry; and the four humors, these physical qualities determined the behavior of all created things including the human body. Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama benjaminpohle.com is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes, and potential wife of Prince Hamlet.
"Hamlet and the Vision of Darkness is a work of tremendous erudition, channeling a formidable range of classical and humanist texts as well as contemporary criticism into chapters on Hamlet's sustained engagement with early modern discourses of selfhood, hunting, cognitive theory, poetics, and moral and speculative philosophy.
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The clashes happened near Assosa in the Benshangul region, close to the Grand Ethiopian Renaissance Dam (GERD). The region around the dam is a secure area where access by land or air is . A short William Shakespeare biography describes William Shakespeare's life, times, and work.
Also explains the historical and literary context that influenced Hamlet.