Lawrence THE HANDLE, which varies in length according to the height of its user, and in some cases is made by that user to his or her specifications, is like most of the other parts of the tool in that it has a name and thus a character of its own. I call it the snath, as do most of us in the UK, though variations include the snathe, the snaithe, the snead, and the sned. Onto the snath are attached two hand grips, adjusted for the height of the user. On the bottom of the snath is a small hole, a rubberized protector, and a metal D-ring with two hex sockets.
Paul Bowles in the medina of Tangier, Morocco in An inveterate traveler, composer and writer, Paul Bowles was a truly remarkable figure whose life and work embodied and responded to major impulses of the twentieth century. His life would be of considerable interest even had he not produced numerous musical scores, four novels, more than sixty short stories, many travel pieces, an unrevealing autobiography and dozens of translations of stories by Moroccan storytellers.
Burroughs, Allen Ginsberg and Patricia Highsmith. Man is adrift in an endless existential quest to piece together meaning in an increasingly chaotic, ugly, barbaric, horrifying world. Here Bowles wrote the final chapters of his novel The Spider's House.
Taprobane island sustained only minor damage from the tsunami disaster that occurred on December 26, Bowles fondly remembers his mother reading Poe to him in his early years, while he chiefly remembered his father, a dentist, as a strict disciplinarian.
In his autobiography, Bowles recounts hearing his grandmother tell him that his father had tried to kill him when he was a baby, by leaving him virtually naked in a basket by an open window in the dead of winter.
True or not, these impressions and feelings certainly had a profound effect on the artist as a young man and can be felt on occasion in his writing.
Bowles began drawing maps and spinning fictions in notebooks when he was quite young. In his late teens Bowles enrolled in the University of Virginia, conscious that Edgar Allan Poe had studied there nearly a century earlier.
Thus began a life of travel and expatriation that places him in a long tradition of American writers such as James Fenimore Cooper, Henry James, Gertrude Stein, Edith Wharton and so many others. After this first, short visit to Europe, Bowles returned to New York where he met the composer Henry Cowell who referred him to Aaron Copland for studies in composition.
When Copland announced plans to go to Europe, Bowles was quick to follow. While in Paris the young Bowles, impeccably dressed and boyishly charming, found that doors opened easily before him.
Among those he called upon was Gertrude Stein, who had set up residence in Paris two decades earlier and lived, with her lover Alice B. Toklas, on rue de Fleurus. It was Stein who questioned his talents as a poet and first suggested he go to Morocco.
Bowles could hardly have imagined that his first visit to Africa with Copland, inwould lead to such a long-term relationship with that continent.
In North Africa Bowles found a place where magic, storytelling, djenoun geniesthe power of the curse and a kind of primitive spirit were alive and vibrant.
Throughout the thirties and the early forties Bowles lived nomadically, using New York a city for which he often expressed his disdainas a base. During this time he did a considerable amount of composing.
His early compositions include: In Bowles met Jane Auer, whom he married the following year. He was then twenty-seven; she was twenty. The ensuing marriage was, by all accounts, unconventional.
Each while maintaining close ties to the other, developed intimate relationships with friends of their own sex.
Jane herself was, at the time the two met, an aspiring writer. Her first novel, Two Serious Ladies, published inis still seen as an important and innovative work, along with her play In the Summer House and a handful of short stories. Altogether he wrote incidental theater music for thirty-three shows, including several plays by Tennessee Williams.
As Virgil Thomson put it, "Paul had a unique gift for the theater. Over the next several years he wrote hundreds of reviews, on jazz and folk music as well as performances of classical music. The grisly, shocking content of some of these early stories prompted one critic, Leslie Fiedler, to dub Bowles "the pornographer of terror.
He also found that writing was more practical than his work as composer, which often demanded his presence in New York while pieces were being rehearsed. No matter what the reasons, by the end of the forties Bowles was devoting more and more time to his literary career and gaining acclaim for his accomplishments.Am thinking maybe Mr Nobody by Jaco van Dormael.
Any other ideas?
THE SPIKE. It was late-afternoon. Forty-nine of us, forty-eight men and one woman, lay on the green waiting for the spike to open. We were too tired to talk much.
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patton oswalt's blog: a closed letter to myself about thievery, heckling and rape jokes. Dec 13, · Harvey Weinstein was a passionate cinephile, a risk taker, a patron of talent in film, a loving father and a monster.. For years, he was my monster. In the thirty years since its release, Alien has become a film of hot debate amongst film theorists.
Academic analyses of the film draw attention to many differing themes that lead to feminist, Marxist, psychoanalytic, and other readings.