He loves Desdemona deeply and holds strong influence in the political circles.
Iago Othello Driven by an overpowering lust for evil rivaled only by Satan, Iago grabs the title as worst Shakespeare villain hands down. On the surface, Iago's motive for wanting to destroy Othello could be one of several.
The most obvious is that he has just been passed over for a promotion which has gone to Cassio.
He confesses to Roderigo that this is the reason for his hatred; the reason for his desire to ruin Othello: One Michael Cassio, a Florentine A fellow almost damn'd in a fair wifeThat never set a squadron in the field But he, sir, had th' election Iago suspects that his wife, Emilia, has committed adultery with Othello: I hate the Moor; And it is thought abroad that 'twixt my sheets 'Has done my office.
I know not if't be true; Yet I, for mere suspicion in that kind, Will do as if for surety.
It is possible that Iago has his own secret passion for the Moor's new bride, and he is enraged at the idea of the "old black ram" 1. It cannot be that Desdemona should long continue her love to the Moor She must change for youth.
When she is sated with his body, she will find the error of her choice. Iago is using jealousy and anger as excuses to perpetrate evil. Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would invent other motives to provide the framework for the diabolical mischief he must create.
To Iago, the ruination of Othello is a game: Let us be conjunctive against him. If thou canst cuckold him, thou dost thyself a pleasure, me a sport.
Iago is "an unbeliever in, and denier of, all things spiritual, who only acknowledges God, like Satan, to defy him" William Robertson Turnbull, Othello: A Critical Study, Iago has no conscience, no ability to perform good deeds. Iago is a psychopath, and is not capable of forming affectionate relationships or feeling guilt and concern over his behaviour.
Unlike Othello, Iago does not have the free will to refrain from wickedness. His nature does not enable him to see the goodness in any one or anything; he is driven by a lust for evil beyond his control.
Iago stands supreme among Shakespeare's evil characters because the greatest intensity and subtlety of imagination have gone to his making, and because he illustrates in the most perfect combination the two facts concerning evil which seem to have impressed Shakespeare most.
The first of these is the fact that perfectly sane people exist in whom fellow-feeling of any kind is so weak that an almost absolute egoism becomes possible to them, and with it those hard vices — such as ingratitude and cruelty — which to Shakespeare were far the worst.
The second is that such evil is compatible, and even appears to ally itself easily, with exceptional powers of will and intellect. In the latter respect Iago is nearly or quite the equal of Richard, in egoism he is the superior, and his inferiority in passion and massive force only makes him more repulsive.
How is it then that we can bear to contemplate him; nay, that, if we really imagine him, we feel admiration and some kind of sympathy? Henry the Fifth tells us: There is some soul of goodness in things evil, Would men observingly distil it out; but here, it may be said, we are shown a thing absolutely evil, and—what is more dreadful still—this absolute evil is united with supreme intellectual power.
Why is the representation tolerable, and why do we not accuse its author either of untruth or of a desperate pessimism? To read the full lecture please click here.A separate character paper is a bit less complex, and our article focuses on revealing its main rules and structure.
If you are in a hurry, use the crucible character analysis example. Othello lends itself to this analysis, as its central character is of an exotic race and the setting of the play is for the most part in Cyprus, a military stronghold of Venice.
Othello - Character Analysis In the play Othello, the character of Othello has certain traits which make him seem naive and unsophisticated compared to many other people.
This is why Iago, to get his just rewards uses him as a scapegoat. The story of an African general in the Venetian army who is tricked into suspecting his wife of adultery, Othello is a tragedy of sexual jealousy.
First performed around , the play is also a pioneering exploration of racial prejudice. Desdemona: Daughter of Brabantio, wife of Othello, and victim of Iago's machinations and Othello's jealousy.
She is the noblest and most unselfish character in the play. Module Four Write a character sketch of Desdemona. (This maturity of character seems to me to be an argument against Desdemona’s extreme youth.) However, she is not without fault.
Like Othello, Desdemona is too willing to trust, for like him she accepts that Iago is an honest man—even though she herself describes him as.